Daniel Barnes

About Dr Daniel Barnes

I was born on the Isle of Wight in the very year that both Jean Baudrillard's ​​​Simulacra and Simulation and Arthur Danto's The Transfiguration of the Commonplace were published. The fact that these two books have exerted the greatest influence upon me has led me to believe in cosmic coincidence, despite radical contingency.
I am interested in the relationship between capitalism and culture, which I think is the 21st Century’s great existential dilemma. In particular, I have a deep interest in the YBAs and thinks it is important to soberly assess their legacy. My PhD defended an unfashionably strict form of aesthetic realism and offered a resolution to the Heidegger/Schapiro debate over the meaning of van Gogh's A Pair of Shoes (1886). My academic career, however, was cursed by the fact that I was putting the final touches to my doctoral thesis at the very same moment that Lehman Brothers were filing for bankruptcy: the night of 16 September 2008, the very exact moment when Damien Hirst was bypassing his galleries to sell £111million worth of new artworks at Sotheby's London. It's funny how things are all connected in the end. 
I have taught philosophy at the University of Nottingham and aesthetic theory at Chelsea College of Art, and has taught courses on art and capitalism, the aesthetics of digital art, as well as the standard A-Level Philosophy stuff. I have written on pictorial representation, architecture, the ontology of artworks, aesthetic experience, tragedy and street art, as well as countless reviews and features on contemporary art. I am contemporary art critic for Aesthetica and this is tomorrow, and I write columns on the art market for FAD and for State/f22. I am resident philosopher for The Butcher's Apron and writes an unphilosophical lifestyle column for Winq
In recent years, I have become somewhat infamous for my unfashionable obsession with Damien Hirst , which is the subject of a long-term evangelical project. I am currently working on a book, The Value Industry, which constructs a theory of value for contemporary art embroiled in the popular culture of art, money and celebrity. At present, I am Lecturer in English at City of Westminster College, London.
If you would like to hire a philosopher for writing, speaking, teaching or consultancy, please do  get in touch . I am particularly interested in taking on more teaching gigs and writing catalogue essays. 
L5 Diploma in Education and Training
City of Westminster College, UK

Certificate in Education
East London College, UK, 2016

NVQ Level 3 in Cultural Venue Operations
Mapalim, London, UK, 2011

PhD in Philosophy
University of Nottingham, UK, 2004-2008
'Artworks and Agents': supervised by Prof Gregory Currie; examined by Dr Komarine Romden-Romluc and Prof Peter Lamarque
MA by Research in Philosophy
University of Nottingham, UK, 2003-2004
'Figurative Representations: An Essay on the Similarities between Linguistic and Pictorial Metaphor': supervised by Prof Gregory Currie; examined by Prof Berys Gaut.
BA in Philosophy
Cardiff University, UK, 2000-2003
Companies I've worked with
Chelsea Collge of Art and Design
University of Nottingham
Lacey Contemporary
Me with art and artists
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